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Elite art worlds : philanthropy, Latin Americanism, and avant-garde music
Herrera, Eduardo
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| 자료유형 | E-BOOK |
|---|---|
| 서명/저자사항 | Elite art worlds : philanthropy, Latin Americanism, and avant-garde music/ Eduardo Herrera. |
| 개인저자 | Herrera, Eduardo,1977- author. |
| 발행사항 | New York, NY: Oxford University Press, [2020]. |
| 형태사항 | 1 online resource (xvii, 204 pages): illustrations. |
| 총서사항 | Currents in Latin American and Iberian music |
| 기타형태 저록 | Print version: Herrera, Eduardo, 1977- Elite art worlds [1.] New York : Oxford University Press, 2020. 9780190877538 |
| ISBN | 9780190877569 0190877561 9780190877545 0190877553 9780190877552 0190877545 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Introduction. Elite Art Worlds -- CLAEM : 1962- -- John Harrison, Alberto Ginastera, and the Creation of CLAEM -- The Rockefeller Foundation and Latin American Music in the 1950s and 1960s -- The Di Tella Family, Art Philanthropy, and the Legitimation of Elite Status -- Embodied Avant-garde(s) : A Way of Being in the World -- From Musical Pan Americanism to Latin Americanism -- The Closing and Lasting Impact of CLAEM. |
| 요약 | "Between 1962 and 1971, the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) of the Di Tella Institute in Buenos Aires became the central hub of Latin American avant-garde music. With the support of the Rockefeller Foundation and the wealthy Di Tella family, CLAEM offered two-year fellowships to some of the most recognized young composers of the region to undertake graduate studies in a unique privileged setting under the direction of Alberto Ginastera and with permanent and visiting faculty that included Gerardo Gandini, Francisco Kröpfl, Mario Davidovsky, Iannis Xenakis, Luigi Nono, Aaron Copland, Luigi Dallapiccola, Bruno Maderna, Riccardo Malipiero, Olivier Messiaen, Roger Sessions, and Earle Brown. In Elite Art Worlds, author Eduardo Herrera combines oral histories, ethnographic research, and archival sources to reveal CLAEM as a meeting point of US and Argentine philanthropy, local experiences in transnational currents of artistic experimentation and innovation, and regional discourses of musical Latin Americanism. The story of CLAEM shows how musical avant-gardes were articulated, embodied, resignified, and institutionalized in Latin America, how composers during the 1960s engaged with discourses of Latin Americanism as professional strategy, identification marker, and musical style, and sheds light into the role of art in the legitimation and construction of elite status and identity. By looking at CLAEM as both an artistic and a philanthropic project, Herrera illuminates the relationships between foreign policy, corporate interests, and funding for the arts concerning Latin America and the U.S. in the mid-twentieth century"-- |
| 해제 | Provided by publisher. |
| 주제명(단체명) | Centro Latinoamericano de Altos Estudios Musicales (Instituto Torcuato Di Tella) Centro Latinoamericano de Altos Estudios Musicales (Instituto Torcuato Di Tella) |
| 주제명(지명) | Argentina --Buenos Aires. --fast |
| 일반주제명 | Avant-garde (Music) --Argentina --Buenos Aires --History --20th century. Music and diplomacy --Argentina --Buenos Aires --History --20th century. Avant-garde (Music) Music and diplomacy. |
| 언어 | 영어 |
| 바로가기 | URL |
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