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Music entrepreneurship [electronic resource]
Dumbreck, Allan
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| 자료유형 | E-BOOK |
|---|---|
| 서명/저자사항 | Music entrepreneurship [electronic resource]/ Allan Dumbreck and Gayle McPherson. |
| 개인저자 | Dumbreck, Allan,author, McPherson, Gayle,1968- author, |
| 발행사항 | London: Bloomsbury Methuen Drama, 2016. |
| 형태사항 | 1 online resource. |
| 기타형태 저록 | Print version: Dumbreck, Allan. Music entrepreneurship. London : Bloomsbury Methuen Drama, 2016 9781472525406 |
| ISBN | 9781472531100 1472531108 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Cover page; Halftitle page; Title page; Copyright page; Epigraph; CONTENTS; ACKNOWLEDGEMENTS; LIST OF CONTRIBUTORS; LIST OF CASE STUDIES; LIST OF INTERVIEWS; PART ONE Overview; 1 Introduction: Valuing Music; Valuing music: Production and consumption; Who is the young music entrepreneur?; Outline of the book; Conclusion; References; 2 The Need for the Music Entrepreneur; The nature of the music industries; Record labels: Fluctuating economy/ new business models; Emerging territories; The music entrepreneur; Which skills might the music entrepreneur need? Art versus commerce: Striking a balanceSelf- belief: Opportunity/motivation; Challenge/determination/failure as a learning experience; Networking; Exchanging not buying; Passion/work ethic; Summary: Characteristics of the music entrepreneur; Conclusions: Entrepreneurship in music education; Notes; References; 3 From DIY to D2F: Contextualizing Entrepreneurship for the Artist/Musician; Introduction; Part 1: Entrepreneurship and DIY; From Punk to post-Punk; Part 2: Major labels and 360-degree deals; Part 3: From DIY to D2F; Part 4: Playing the platforms; Part 5: The D2F entrepreneur; Conclusion NotesReferences; 3A Example Case Study?: The Professional Musician; Case study: Ross McFarlane (professional musician); References; PART TWO Sectors and Case Studies; 4 Artist Managers and Entrepreneurship: Risk- takers or Risk Averse?; Introduction; The changing nature and reputation of artist managers; Locating the artist manager as an entrepreneur; Case study: Sumit Bothra (ATC Management); Case study: Princess Nyah (self- managing artist); Conclusion; Notes; References; Websites; 5 Live Music; Outline; Introduction; The role of the entrepreneur in the live sector Case study: Goc O'Callaghan (ArcTanGent Festival)Case study: Joe Smillie, the Glad Cafe?; Conclusion; References; Useful sources; 6 Entrepreneurship and Music Technology Practitioners; Key concepts and issues; Case study: Chantal Epp (Synergy Sounds); Case study: Helen Atkinson (Producer/Engineer at RAK Studios); Conclusion; Notes; References; Websites; 7 Recorded Music; The recorded music sector; Copyright issues; The record company entrepreneur; Case study: Jay Frank (DigSin); Case study: Mark Orr ( LAB Records); Summary; Conclusions; Notes; References; 8 Digital Music Distribution Web 3.0 and digital music distributionIndependent artists as prosumers: Tools for digital distribution; The digital distribution landscape; Sector overview; Digital aggregators; Digital retailers; Streaming services; New developments: Tidal; Subscription services; Crowdfunding platforms; Digital content management platforms; Case study: EmuBands (Ally Gray); Case study: Jessica Carmody (Account Manager at PledgeMusic UK); 'I'm not an entrepreneur': A British perspective?; References; Websites; 9 Music Publishing: How to Understand and Engage with Copyright in the Digital World; Introduction |
| 일반주제명 | Music trade. Music --Economic aspects. Entrepreneurship. MUSIC --Genres & Styles --Classical. MUSIC --Reference. Entrepreneurship. Music --Economic aspects. Music trade. |
| 언어 | 영어 |
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