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From stage to screen a theatre actor's guide to working on camera [electronic resource]
Britten, Bill
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| 자료유형 | E-BOOK |
|---|---|
| 서명/저자사항 | From stage to screen [electronic resource]: a theatre actor's guide to working on camera/ Bill Britten. |
| 개인저자 | Britten, Bill,author, |
| 발행사항 | London, UK ; New York: Bloomsbury Methuen Drama, 2015. |
| 형태사항 | 1 online resource (vii, 237 pages): illustrations. |
| 기타형태 저록 | Print version: Britten, Bill, author. From stage to screen 9781408185469 |
| ISBN | 9781472522641 1472522648 |
| 일반주기 |
Includes index.
|
| 내용주기 | Title Page; Copyright Page; CONTENTS; ACKNOWLEDGEMENTS; FOREWORD; INTRODUCTION; Chapter 1 LET'S PRETEND; Acting is easy; Acting is difficult; The intellectual actor; Developing yourself; Emotional intelligence; Chapter 2 THE BIG DIFFERENCES; The similarities; The differences; Section 1 -- SHOWING, SHARING AND THE INNER WORLD; Chapter 3 SHOWING AND SHARING; The act of observing changes the thing that's being observed; Showing; Where's your attention?; Don't just do something, stand there; Chapter 4 THE INNER WORLD; The close-up and the inner monologue; Chapter 5 LISTENING. Listening and the inner worldPoint of attention; Spontaneity; Chapter 6 COMMITMENT; Creating the imaginary world; Commitment; Section 2 -- MAKE THE SHOT WORK; Chapter 7 FILMING -- THE BIG PICTURE; Development (and pre-pre-production); Three phases of production; Pre-production; Post-production; Production; Meeting the schedule; Collaboration; Practice; Chapter 8 UNDERSTANDING THE SHOTS; Single versus multi-camera shooting; What do I need to know about the shots and camera terminology?; Chapter 9 GLOSSARY OF SHOTS; Master; Wide/Mid/Close; Single; Dirty/Clean; 2 Shot; Tracking shot; Coverage. Set-upsReverse; Slate; Working with technophile/geek actors; Chapter 10 HITTING MARKS; Marks; Focus; Putting down marks; How to hit your marks; The soft bag; The real challenge; Practice; Chapter 11 OVERLAPS; Why overlaps matter; Chapter 12 CONTINUITY; Why continuity matters; Movement drives the cut; How to manage your continuity; Emotional continuity; Practice; Chapter 13 POSITIONING YOURSELF FOR THE CAMERA; Opposing singles; Finding the camera; Reverses; Standing up and sitting down; Chapter 14 THE VOICE; Projection; Mumbling; Chapter 15 FACIAL AWARENESS; Facial awareness; Eye movement. BlinkingAround the eyes; Eye contact; The mouth and the jaw; Swallowing; Using this awareness; Chapter 16 PLAYING THE CAMERA; The doughnut; Eye movement; Knowing and not-knowing; Looking down; Lateral eye movement; Repeated eye movements; Chapter 17 LOVING THE CAMERA; Loving the camera; Section 3 -- DOING IT; Chapter 18 GETTING THE JOB; Castings; Improving the odds; In the room; Filming yourself for castings; Chapter 19 PREPARATION; Creating a character; Chapter 20 BODY HEAT -- PLOT SYNOPSIS; Chapter 21 PREPARING TEDDY; Start with the facts; Assumptions; Creating a past; Make it relevant. Shared historyWhat happened today?; What do you want?; Chapter 22 PREPARING THE TEXT; Learning the lines; Delivering the lines; Parentheses; Subtext and inter-text; Subtext and inter-text in Body Heat; Out there to in here and back again; Teddy's second scene; Chapter 23 MAPPING; Larger parts; Summarize the scenes; Asking the right questions; Chapter 24 THE READTHROUGH; Chapter 25 AT THE SHOOT; Getting there; The call sheet; Arriving at the set or location; Your scene partner(s); Waiting, waiting, waiting; Preparing yourself; Phones; Chapter 26 WHO'S WHO IN THE CREW. |
| 요약 | "From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role"-- |
| 해제 | Provided by publisher. |
| 일반주제명 | Acting. PERFORMING ARTS / Acting & Auditioning. Acting. PERFORMING ARTS / Theater / General Acting --History. Acting. Performing arts --Acting & auditioning. |
| 언어 | 영어 |
| 바로가기 | URL |
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