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Ring shout, wheel about the racial politics of music and dance in North American slavery [electronic resource]
Thompson, Katrina Dyonne
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| 자료유형 | E-BOOK |
|---|---|
| 서명/저자사항 | Ring shout, wheel about [electronic resource]: the racial politics of music and dance in North American slavery/ Katrina Dyonne Thompson. |
| 개인저자 | Thompson, Katrina Dyonne,author, |
| 발행사항 | Urbana [Illinois]: University of Illinois Press, 2014. |
| 형태사항 | 1 online resource (257 pages). |
| 총서사항 | New Black Studies Series |
| 기타형태 저록 | Print version: Thompson, Katrina Dyonne. Ring shout, wheel about : the racial politics of music and dance in North American slavery. Urbana, [Illinois] : University of Illinois Press, 2014 x, 242 pages New Black studies. 9780252038259 |
| ISBN | 9780252096112 0252096118 |
| 일반주기 |
Includes index.
|
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on -- -- |
| 요약 | "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"-- |
| 해제 | Provided by publisher. |
| 주제명(지명) | Southern States. --fast United States. --fast |
| 일반주제명 | Slaves --Southern States --Songs and music. Slaves --United States --Social life and customs. Race in the theater --United States --History. Theater and society --United States --History. African American dance --History. Slavery --United States --Justification. Plantation life --United States. Racism in popular culture --United States --History. Theater and society --United States --History. SOCIAL SCIENCE --Ethnic Studies --African American Studies. PERFORMING ARTS --Dance --General. HISTORY --United States --19th Century. SOCIAL SCIENCE --Customs & Traditions. African American dance. Plantation life. Race in the theater. Racism in popular culture. Slavery --Justification. Slaves. Slaves --Social life and customs. Theater and society. |
| 언어 | Text in English. |
| 바로가기 | URL |
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